Marilyn Monroe Signature Biography
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Monroe and Joe DiMaggio were married in San Francisco on January 14, 1954. They traveled to Japan soon after, combining a honeymoon with a business trip previously arranged by DiMaggio. For two weeks she took a secondary role to DiMaggio as he conducted his business, having told a reporter, "Marriage is my main career from now on." Monroe then traveled alone to Korea where she performed for 13,000 American Marines over a three-day period. She later commented that the experience had helped her overcome a fear of performing in front of large crowds.
Returning to Hollywood in March 1954, Monroe settled her disagreement with 20th Century Fox and appeared in the musical There's No Business Like Show Business. The film failed to recover its production costs and was poorly received. Ed Sullivan described Monroe's performance of the song "Heat Wave" as "one of the most flagrant violations of good taste" he had witnessed. Time magazine compared her unfavorably to co-star Ethel Merman, while Bosley Crowther for The New York Times said that Mitzi Gaynor had surpassed Monroe's "embarrassing to behold" performance. The reviews echoed Monroe's opinion of the film. She had made it reluctantly, on the assurance that she would be given the starring role in the film adaptation of the Broadway hit The Seven Year Itch.
An iconic image entered popular culture.
in The Seven Year Itch (1955)
Monroe won one of her most notable film roles as the Girl in The Seven Year Itch. In September 1954, she shot a skirt-blowing key scene for the picture on Lexington Avenue at 52nd Street in New York City. In it, she stands with her co-star, Tom Ewell, while the air from a subway grating blows her skirt up. A large crowd watched as director Billy Wilder ordered the scene to be refilmed many times. Joe DiMaggio was reported to have been present and infuriated by the spectacle. After a quarrel, witnessed by journalist Walter Winchell, the couple returned to California where they avoided the press for two weeks, until Monroe announced th
they had separated.Their divorce was granted in November 1954. The filming was completed in early 1955, and after refusing what she considered to be inferior parts in The Girl in the Red Velvet Swing and How to Be Very, Very Popular, Monroe decided to leave Hollywood on the advice of Milton Greene. The Seven Year Itch was released and became a success, earning an estimated $8 million.Monroe received positive reviews for her performance and was in a strong position to negotiate with 20th Century Fox. On New Year's Eve 1955, they signed a new contract which required Monroe to make four films over a seven-year period. The newly formed Marilyn Monroe Productions would be paid $100,000 plus a share of profits for each film. In addition to being able to work for other studios, Monroe had the right to reject any script, director or cinematographer she did not approve of.
Milton Greene had first met Monroe in 1953 when he was assigned to photograph her for Look magazine. While many photographers tried to emphasize her sexy image, Greene presented her in more modest poses, and she was pleased with his work. As a friendship developed between them, she confided to him her frustration with her 20th Century Fox contract and the roles she was offered and he quoted her once as saying "I just want people to be happy to see me." Her salary for Gentlemen Prefer Blondes amounted to $18,000, while freelancer Jane Russell was paid more than $100,000.Greene agreed that she could earn more by breaking away from 20th Century Fox. He gave up his job in 1954, mortgaged his home to finance Monroe, and allowed her to live with his family as they determined the future course of her career.
On April 8, 1955, veteran journalist Edward R. Murrow interviewed Greene and his wife Amy, as well as Monroe, at the Greenes' home in Connecticut on a live telecast of the CBS program Person to Person. The kinescope of the telecast has been released on home video.
Truman Capote introduced Monroe to Constance Collier, who gave her acting lessons. She felt that Monroe was not suited to stage acting, but possessed a "lovely talent" that was "so fragile and subtle, it can only be caught by the camera". After only a few weeks of lessons, Collier died.Monroe had met Paula Strasberg and her daughter Susan on the set of There's No Business Like Show Business, and had previously said that she would like to study with Lee Strasberg at the Actors Studio. In March 1955, Monroe met with Cheryl Crawford, one of the founders of the Actors Studio, and convinced her to introduce her to Lee Strasberg, who interviewed her the following day and agreed to accept her as a student.
Marilyn Monroe Signature Form Long Hair Names Medium Length For Round Faces Short Layers Updos Over 50 2013
Marilyn Monroe Signature Form Long Hair Names Medium Length For Round Faces Short Layers Updos Over 50 2013
Marilyn Monroe Signature Form Long Hair Names Medium Length For Round Faces Short Layers Updos Over 50 2013
Marilyn Monroe Signature Form Long Hair Names Medium Length For Round Faces Short Layers Updos Over 50 2013
Marilyn Monroe Signature Form Long Hair Names Medium Length For Round Faces Short Layers Updos Over 50 2013
Marilyn Monroe Signature Form Long Hair Names Medium Length For Round Faces Short Layers Updos Over 50 2013
Marilyn Monroe Signature Form Long Hair Names Medium Length For Round Faces Short Layers Updos Over 50 2013
Marilyn Monroe Signature Form Long Hair Names Medium Length For Round Faces Short Layers Updos Over 50 2013
Marilyn Monroe Signature Form Long Hair Names Medium Length For Round Faces Short Layers Updos Over 50 2013
Marilyn Monroe Signature Form Long Hair Names Medium Length For Round Faces Short Layers Updos Over 50 2013
Marilyn Monroe Signature Form Long Hair Names Medium Length For Round Faces Short Layers Updos Over 50 2013
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